{"id":803,"date":"2017-02-03T15:10:40","date_gmt":"2017-02-03T15:10:40","guid":{"rendered":"http:\/\/littlevillagefoundation.com\/?p=803"},"modified":"2020-03-03T02:18:11","modified_gmt":"2020-03-03T02:18:11","slug":"paul-delay","status":"publish","type":"post","link":"https:\/\/littlevillagefoundation.com\/lv2021\/paul-delay\/","title":{"rendered":"Paul Delay"},"content":{"rendered":"

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PAUL DELAY –\u00a0LIVE AT NOTODDEN ’97<\/h1>\n
Paul deLay’s untimely death a decade ago at the age of 55 seemed a cruel trick of the cosmos. His death stilled one of the most original voices in all of blues, an artist at the height of his powers, who transcended notions of black or white; of authenticity; who existed on a plane of pure emotion and invention.<\/div>\n
He didn’t write standard blues songs, nor was he part of the herd of blues harmonica players, some of whom perhaps gravitate to the harp because of its portability and simplicity. Few if any of those could play a diatonic harp solo as concise and clich\u00e9-free as deLay’s on \u201cWealthy Man.\u201d As for the jazzy calliope of his chromatic harp over the bass-driven funk of \u201cNice and Strong\u201d \u2013 well, there’s no one else in the blues world who can do that.<\/div>\n
And his voice \u2013 he had no business being the great singer he was, thanks to pipes that recalled Andy Devine’s more than your stereotypical blues shouter. But there it is: deLay was \u2013 is \u2013 great because he was never a stereotype. Instead he was a funny, intelligent, basically shy man who was a great blues musician because he was unafraid to open the conduit to his heart and soul. And he was backed by a superb band that could essay the way-beyond-12-bar-blues complexity and subtlety of his songs; compatriots who believed in deLay and his music.<\/div>\n
You can hear all that on this just-discovered recording of deLay and his superb band at their peak, in front of a crowd of enthusiastic Norwegians at the 1997 Notodden Blues Festival. It’s a completely unexpected bonus, and perhaps a bit of cosmic recompense for deLay’s untimely departure, that this recording came to light on the 10th anniversary of his departure, and 20 years after this performance.<\/div>\n
Back in 1998, the Notodden festival released a 10th anniversary compilation CD which included, \u201cWhat Went Wrong\u201d by the Paul deLay Band.\u00a0 That was a nice surprise, as the band hadn\u2019t realized their set was being recorded.\u00a0 Plus they felt honored to be included on a CD with blues artists including B.B. King, Luther Allison, and Robert Cray.\u00a0 But that’s as far as it went, a pleasant surprise, until a year ago, when Louis Pain and Peter Dammann got to wondering whether a recording of their complete \u201997 set might exist. It turned out that the deLay Band\u2019s performance was still fondly remembered by Notodden festival goers, including current festival General Manager Jostein Forsberg, who had been a performer back in \u201997. Remarkably, Forsberg was able to track down a recording of the set.<\/div>\n
Listening to this CD, it\u2019s no surprise that the performance was still remembered by Norwegian blues fans: from the ascending intro of \u201cCome On with It\u201d to the rolling lilt of \u201cLove on a Roll,\u201d the band and deLay serve notice that this hour is all theirs. You’ll soon find your own favorite parts.<\/div>\n
Against all odds, we have a new Paul deLay Band album. Maybe the cosmos has some good tricks up its sleeve, too\u2026<\/div>\n

Visit the Paul Delay website<\/a> for more info.<\/p>\n<\/div>

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